Texture Ready™ · A Production Standard for Hair · Art & Soul Consulting

Now Booking the 2026–27 Season

Is your production
Texture Ready?

Your union agreements already carry obligations around hair. Most productions have never read those lines, and even the ones who have don't have anyone on staff who can meet them. Texture Ready builds both: the knowledge and the system, in place before the first hair call. Built for theater, film, TV, and commercial. Featured in AEA Employer Resources and American Theatre Magazine. First case study: Hairspray at Umbrella Arts →

Kira Troilo leading the Black Hair Is Hair workshop in Cambridge, with a full audience of theater professionals seated facing the stage.

Black Hair Is Hair · Multicultural Arts Center, Cambridge · 2023

"Prevention is not mysterious.
It's operational."
Kira Troilo The Boston Globe

From workshop
to standard.

In 2023, Kira Troilo gathered theater leaders from across the Boston regional ecosystem for a single afternoon at the Multicultural Arts Center. The session was called "Black Hair Is Hair." Its argument was simple: textured hair is not a specialty. It is hair. The people sitting in production rooms had been trained to treat it as exceptional, and that training was costing performers their hair, their time, and their safety.

That afternoon became an eBook. The eBook became a toolkit. The toolkit became a standard, used in productions, taught to leads, and now built into the operating systems of a growing number of regional theaters and conservatories.

Texture Ready is the formalization of three years of work. Not a new idea. An overdue one.

Kira Troilo teaching the curl pattern chart at the Black Hair Is Hair workshop, with a screen showing hair textures from Type 2b to Type 4c.

Teaching the curl pattern chart · Black Hair Is Hair, 2023. Multicultural Arts Center, Cambridge.

Hair is a production department.
Not a specialty. Not an afterthought.

Like lighting. Like costume. Like sound. Every other department has a lead, a budget, a timeline, and documented protocols. Hair doesn't, and the labor falls on Black performers and performers of color to fill that gap.

Texture Ready changes that. It is not about finding the right specialist. A specialist can't produce documented consent, a budget line, a maintenance schedule, or an escalation pathway. It is about building the infrastructure so textured hair is planned for, regardless of who is in the chair, before the first rehearsal, before casting is complete, before tech week.

A production is Texture Ready when the system works. Not when one exceptional person made it work. The system has six domains.

Six domains. One standard:

Literacy Foundational hair knowledge across all types and protective styles. Cultural and historical context that grounds the work.
Fluency Working command of styles, install, and maintenance. Real costs, real feasibility. The budget and timeline reflect the work.
Architecture Hair budgeted as a department before the cast is set. Maintenance time on the call sheet. Vendor pathways and infrastructure planned, not improvised.
Consent Documented intake and consent for every performer before the first hair call. Nothing assumed. A record if anything later breaks.
Care Communication and collaboration that puts performers in chairs. Not in the position of educating their own production.
Escalation A named escalation pathway every performer knows by first rehearsal. A documented response when something goes wrong, so the burden never lands on the performer mid-run.

The same production. Two different rooms.

Without the standard

Hair is a side problem.

  • Costume designer or ASM informally inherits hair work mid-rehearsal
  • Hair budget is leftover from costume. Eaten by week 2
  • Performers buy their own products and arrive early to maintain styles
  • No intake, no documented consent, no record if something breaks
  • The hair obligations in your agreements have no owner. Nobody reads those lines until something breaks
  • "Just let us know" is the escalation plan. There is no plan.
  • Performers stay quiet because there are no solutions in place

With the standard

Hair is a department.

  • A qualified Hair Lead is named before casting closes
  • Hair budget is built before the cast is set, sized for all hair types
  • Maintenance time lives on the call sheet, paid and accounted for
  • Intake, consent, and escalation are documented before the first hair call
  • Contract obligations are known, owned, and met before first rehearsal
  • An escalation pathway is known by every performer at first rehearsal
  • Performers perform. The production carries the labor.
"We have costume designers. We have sound and lighting. Hair should be a design too."
Pearl Scott · Ensemble (the Dynamites), Dance Captain · Hairspray, Umbrella Arts 2026

Qualified isn't a person.
It's a production.

The first case study.
Hairspray at Umbrella Arts.

25 performers. All hair types and textures, including protective styles. 30–40 hours of design, consultation, fitting, and run support across rehearsal and tech. The first production to test the Texture Ready toolkit start to finish, and the first published proof point of what the standard looks like in motion.

A qualified Hair Lead from the Texture Ready™ team braiding a performer's protective style at the Umbrella Arts Center production of Hairspray, with Kira Troilo observing.
The hair station setup at Umbrella Arts Center's Hairspray production, with wig stands, named station tags for each performer, and the production's stage feed visible on the monitor.
The Texture Ready™ team with the Umbrella Arts Center production team, including producing partner Brian Boruta.

What the toolkit produced, mapped to the standard: custom intake and consent form (Consent), budget predictor sized to the run (Architecture), named station assignments and chain of command (Care), escalation card (Escalation), maintenance schedule on the call sheet (Architecture), and a hair design plan for all 25 performers (Literacy + Fluency). All in place before the first hair call.

"Texture Ready gave us the information, the resources, and the tools we needed to make a roadmap and individual plans for each actor that met the needs of the production, respected the budget, and cared for the actor both on stage and in their daily lives away from the show."

Brian Boruta · Producing Artistic Director, Umbrella Arts

Published · May 2026

The full case study is live. Budget, timeline, domain-by-domain evidence, and producer and performer testimony from the production.

"Best-selling production in the theater's history to date."

Umbrella Arts

Read the full case study →

Two cohorts in.
The room keeps agreeing.

Cohort 1 convened in April 2026: producers, casting directors, agents, employment attorneys, union leaders, theater critics, conservatory leaders, and performers. Cohort 2 followed in June and July. The standard was on the table both times. Here is what the rooms said.

25
Industry Leaders
Convened in Cohort 1
9.7/10
Cohort 1 Average Rating
From Feedback Respondents
8
Sectors Represented
Theater · Film · Casting · Education · Legal · Union · Press · Tech

The Cohort 2 Room · June & July 2026

IATSE Local 798 · SpeakEasy Stage · Commonwealth Shakespeare Company · Stratford Festival · professional freelance Hair Leads and stylists

"This is not just an added, nice-to-have thing for productions, but actually critically necessary, and easier and more practical to implement than I would have thought."

Robert Casey·Owner, Maggie Agency

"Art & Soul Consulting have shown they have the skills and experience needed to move things forward in the entertainment space. These conversations have gone in circles for years. It's great to see an executable framework and a standard."

ZenaFounder, naha

"There is so much I need to understand, and Kira's presentation was an honest, knowledgeable, and passionate way for me to learn about this important topic that affects so many actors in our community."

Julie KnowltonOwner / Casting Director, Slate Casting

"The level of intention required is important, but it is not hard if people do just a little of the work they would do for anything else critical to a production."

Kristan BushCEO, Performance Paradigm

"The shift is action. It's encouraging and empowering to witness the work happening for textured hair. It's not just a conversation."

Rachelle GauthierDirector of Marketing, Performance Paradigm

"There are ways to standardise this for productions."

MildredAgent and Coach

"I'm much more tuned into nuanced issues around Black hair, and how NOT mainstreamed this topic is, but how 'othered' it is."

Joyce KulhawikPresident, Boston Theater Critics Association

Train your people.
Equip your production.

Two parts, one standard. Your people, trained. Your production, built. We coach, your team executes.

01
Train

Texture Ready
Private Cohort

Part One · Train Your People

The full Texture Ready curriculum, delivered exclusively for your organization or team. Your Hair Lead and the people around them learn the standard, learn what your agreements actually require, and earn the credential, scheduled around your production calendar.

  • The complete curriculum across six competency domains: Literacy, Fluency, Architecture, Consent, Care, Escalation
  • Custom scheduling around your season, including retreat-style full-day formats
  • Content tailored to your roster and your productions
  • Texture Ready Hair Lead credential, valid two years
  • Available for institutions, peer organization groups, and pre-production teams

Investment

$8,500

Up to 10 participants. $750 per additional seat, 16 maximum. Larger configurations and film/TV teams scoped in conversation.

Scope a Private Cohort
03
Train + Equip

The Full
Standard

Part One + Part Two Together

Train your Hair Lead to the standard and have us build your production's system at the same time. Your people and your infrastructure, in one engagement. The choice most Broadway, tour, off-Broadway, and film productions make.

  • Private cohort training for your team (Part One)
  • A full Equip build of your production system (Part Two)
  • Sequenced so your trained team owns the system you build together
  • Bundled below the cost of buying the two separately

Investment · Starts at Tier 2

Tier 2 · Established ($250K–$750K) From $19,500
Tier 3 · Flagship ($750K+) From $24,500

Bundled below the cost of buying separately. Film, TV, and commercial scoped. Emerging productions can scope Train and Equip individually.

Scope the Full Standard

Theater pricing scales with production budget: Tier 1 under $250K, Tier 2 $250K–$750K, Tier 3 $750K and above. Film, TV, and commercial are always scoped in a discovery call. Production and HMU budgets vary too widely for a published floor to be accurate. Train and Equip can be scoped together as a single engagement.

Beyond the single production.
Texture Ready in the curriculum.

For conservatories training the next generation before they graduate, and brands funding access to the standard across the field.

The Conservatory Standard

Faculty Cohort, $8,500. The Private Cohort, delivered for your faculty and production staff. Same standard, same credential, no education discount.

Conservatory Embedment, $22,500 per year. Two-year minimum. Faculty Cohort in year one, curriculum integration into existing coursework, advisory on two student productions per year, and a graduating pathway that leaves students credential-eligible. Capped at three partners through 2027.

Brand & Sponsorship Partnership

For brands funding access: sponsored training, full Equip engagements for productions that cannot afford them, or sponsored public cohorts that open the standard to the whole field. Specification is merit-based; brands cannot buy default placement.

How organizations move
through the standard.

1

Train

Your Hair Lead trains on the standard and earns the credential in a private cohort. They return with the language, knowledge, and authority to lead the work.

2

Equip

We build your production's system: custom toolkit, intake and consent, budget, vendor pathways, escalation. Then we hand it to your trained team.

3

Your team runs it

The system is yours. Your Hair Lead owns the work, your production carries the standard, and it travels to every show after this one. We coach. Your team executes. No permanent middleman.

Every seat at the table
has a role to play.

Producing Theater

Artistic Directors & Executive Directors

You are casting diversely, your agreements already carry hair obligations, and no one on your team is watching for either. The labor is landing on performers, there is no documentation if something goes wrong, and your season opens in a few months.

Equip · The Full Standard

Film / TV / Commercial

Producers & Line Producers

The SAG-AFTRA contract uses the word "qualified" with no legal definition. On a commercial shoot, one bad hair day is a brand crisis your client calls you about. Texture Ready defines qualified, and documents that you met the standard.

Equip, scoped for film and TV

Production Staff

Costume Designers, ASMs & Wardrobe

You are holding the hair work but you do not have the framework, the language, or the authority to do it right. You are improvising around a gap that should not be yours alone to fill.

Bring the training to your organization

Production Operations

Stage Managers

You own the call sheet. You know maintenance time for textured hair is not on it. You know there is no protocol when something goes wrong mid-run. You are improvising around a gap that belongs in the production, not on your shoulders.

Bring the training to your organization

Casting & Representation

Casting Directors & Talent Agents

You are placing diverse talent into productions with no hair infrastructure. You have no leverage to fix it and no language to name it before your client signs. Texture Ready gives you both.

5 Questions for your clients →

Legal

Entertainment Attorneys

Your clients are operating under union contract language that requires "qualified" hair support and never defines the word. That gap is where liability lives, and it is structural, not personal. Texture Ready closes it, and gives you something to point to.

Read the field notes · SAG-AFTRA legal brief →

Training & Education

Conservatories & Training Programs

You are training the next generation of production professionals and none of them are learning this before they graduate. Their first job will hand them obligations nobody taught them to meet, and the performers they work with will absorb the gap.

The Conservatory Standard

Performer?

This standard exists to protect you.

Before you sign, you have the right to ask if a production is Texture Ready. We have built the questions for you.

5 Questions to Ask →
Kira Troilo speaking at the Black Hair Is Hair workshop, with a slide showing her childhood photo behind her.

The work behind
the standard.

Kira Troilo is the founder of Art & Soul Consulting and the architect of the Texture Ready standard. Three years ago she started translating what performers already knew from lived experience into documents productions could actually use: intake forms, budget tools, a curriculum. Texture Ready is that work, formalized.

She's led hair departments herself, most recently as Hair Lead on Hairspray at The Umbrella Arts Center, the production that tested every piece of this system start to finish.

2023 Workshop"Black Hair Is Hair." Boston regional theater leaders, Multicultural Arts Center
2024 eBookBlack Hair on Stage. Practical guide adopted by theaters and conservatories
2026 StandardTexture Ready. Featured in AEA employer resources
May 2026American Theatre Magazine. National feature on the Texture Ready standard
April–July 2026Cohorts 1 & 2. Producers, unions, conservatories, and casting trained to the standard
PressThe Boston Globe. "Prevention is not mysterious. It's operational."
MA Cosmetology BoardTextured Hair Competency licensure submission, March 2026
Live EngagementUmbrella Arts · Hairspray (case study)

Season planning is happening
right now.

Most theater seasons open in a few months. The productions that will be Texture Ready on opening night are training their people and building their systems this summer. Tell us about your season and we will tell you exactly what it takes to be ready before your first hair call.

One scoping call · Your season, mapped against the six domains · A real number, not a range

Scope Your Season →

30 minutes with the Texture Ready team. You bring your season, your cast size, and your current hair plan (or the honest absence of one). You leave with the gaps named and a scoped path to close them.

Training your team this summer?

Private cohorts. Custom-scheduled.

The full curriculum, delivered exclusively for your organization: custom scheduling around your production calendar, retreat-style full-day formats, and content tailored to your roster. $8,500 for up to 10 people, $750 per additional seat. This is how teams get trained before the season starts.

Scope a private cohort →

Looking for the public cohort?

Cohorts 1 and 2 convened in 2026. The next public cohort will be announced to this list first.

I'm representing (select all that apply)

Before you book.

What do our union agreements actually require around hair?

More than most productions realize. Depending on your agreements, obligations can include consultation with the performer, notice requirements, reimbursement for hair services, and responsibility for a performer's hair after a run closes. The language has been tightening for several years, and the direction of travel is toward more protection, not less.

The honest answer is that most teams have never read these lines, and reading them is not the same as being able to meet them. That is the gap Texture Ready closes: Train builds the knowledge. Equip builds the system. Bring your agreements to a scoping call and we will walk them with you.

When should we book relative to our season?

Before first rehearsal, ideally before your season budget is locked. The whole point of the standard is that hair gets planned as a department, and a department gets budgeted before the season starts, not discovered during tech.

Practically: scope in the summer, train and build in late summer, and your team runs the system from first rehearsal on. If your season is already underway, a mid-season Equip engagement is still possible; it is just built around your production calendar instead of ahead of it.

What is the difference between Train, Equip, and the Full Standard?

Train is the Private Cohort: your people learn the standard and earn the credential. $8,500 for up to 10 people, $750 per additional seat, scheduled around your calendar.

Equip is the build: we assess your production, then build and hand over your custom toolkit (intake and consent, hair plans, vendor pathways, budget predictor, call-sheet integration, escalation card, and access to our vetted textured hair stylist and product discovery network) as a system your team reuses on every production. Theater pricing: Tier 1 (production budget under $250K) $9,000–$11,000; Tier 2 ($250K–$750K) $13,000–$16,000; Tier 3 ($750K+) from $18,000, scoped. Film, TV, and commercial are always scoped. The system doesn't expire when the run closes: it runs on every production after, and any Texture Ready Cohort graduate can step in and run it.

The Full Standard is both together: your team trained and your system built in one sequenced engagement, from $19,500 at Tier 2, scoped from $24,500 at Tier 3. It is the choice most larger productions make.

A core principle across all three: we coach, your team executes. We build the system and train your people. We are not the labor in the room, and you do not need us there once the system is yours.

What is the credential, and what does it actually mean?

The Texture Ready credential is issued to participants who complete the full curriculum and the twelve-question assessment. It is a defined professional standard, not a certificate of attendance, built around six named competency domains: Literacy (foundational hair knowledge, cultural and historical context), Fluency (styles, install, maintenance, costs, feasibility), Architecture (production planning, budget, infrastructure), Consent (intake, boundaries, documentation), Care (communication, collaboration, relational practice), and Escalation (crisis protocol, named pathway, documented response). The credential is valid for two years, with a renewal pathway in the third year.

It is the language productions can use to say: this person has been trained to the standard. As the standard is adopted across more productions, the credential becomes the answer to the question SAG-AFTRA does not yet define: what does qualified mean.

When is the next public cohort?

Cohorts 1 and 2 convened in April and June–July 2026, bringing producers, casting directors, agents, attorneys, union leaders, conservatory faculty, and working Hair Leads to the standard. The next public cohort has not been dated; it will be announced first to the notify list above.

If your team needs the training before then (and if your season starts in the fall, it probably does), that is exactly what private cohorts are for. They run year-round, scheduled around your calendar.

How does pricing work, and why isn't every price listed?

Pricing scales with your production budget, not your medium. A small regional run and a Broadway transfer are both "theater," and a single commercial and a streaming season are both "film," but they are not the same scale, so they should not be the same price.

For theater, we publish the ranges by tier so you can see where your production lands: private cohorts at $8,500 for up to 10 people, Equip at $9,000–$11,000 (Tier 1, production under $250K), $13,000–$16,000 (Tier 2, $250K–$750K), from $18,000 scoped above that. The Full Standard starts from $19,500 for Tier 2, scoped from $24,500 for Tier 3. Film, TV, and commercial are always scoped. A single commercial and a streaming series are both "film" but they have nothing in common budget-wise, so any published number would be wrong. Tell us your production and we will give you a real number.

Is there sponsored or funded access?

Yes. Brand and institutional sponsors fund access across the standard: sponsored training for teams that could not otherwise afford it, full Equip engagements for emerging productions, and sponsored public cohorts that open the standard to the whole field. If your organization wants the work and the budget is the barrier, email Kira directly with a short note about who you are; we will tell you honestly what is possible.

See brand partnership opportunities →

Do you work outside the Boston / Providence region?

Yes. Private cohorts are virtual and global. Equip engagements are delivered remotely with the option of in-person presence for tech week, production meetings, or pre-production planning. We have active engagements and pipeline in NYC, Chicago, and London.

Not sure where
to start? Start here.

Every path to Texture Ready begins with a conversation. Tell us where your season is and we will tell you where the gaps are, including the ones already written into your agreements.

Questions? Reach us at kiratroilo@artandsoulconsulting.com

Brand or institutional sponsor? → Texture Ready Brand Partnerships

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